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In the Cut Spanish Edition 9780330347815 Books

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In the Cut Spanish Edition 9780330347815 Books

Purchased this book on its reputation of being a sophisticated erotic adventure. I must admit I found it much more than that. Moore weaves a very nice structured story that delves into human emotion, realistic bad-cop behavior, smudges of academia, and yes a good dose of well-done sex. A shortish story, done in the first-person, present from a female perspective. Excellent writing. Clever development of conflict with the protag: a word nerd with an uninhibited appreciation for screwing around with obvious danger.


Tags : In the Cut (Spanish Edition) on Amazon.com. *FREE* shipping on qualifying offers. A stunning, erotic thriller by the bestselling author of Whiteness of Bones. Following the gruesome murder of a young woman in her neighborhood,In the Cut (Spanish Edition),Macmillan _,0330347810,0929-WS0701-A01010-0330347810

In the Cut Spanish Edition 9780330347815 Books Reviews

I have a strong stomach for literary gore. I love eroticism in fiction. I thought that the two of those combined would make a good read, but i was sorely disappointed. Where was the thriller in this book? I'm still wondering? I couldn't really care less that another Jack the Ripper had shown up in lower Manhattan. The lead character is stubbornly dense, and I'm being kind. She's a teacher who, among the other men she decides to have a go with, also decides to get involved with her student, because why? She's a confused slut? She has no morals and it makes it easier for us to contemplate her fate? I mean really, like I said, my judgement of this character has less to do with what she does than who she does it with, which I find mind numbingly predictable.

So if you can stomach the tackiness inherent in the shallow main character, and the decorative cast behind her that slouch across the page, you will find the plot unfolds to reveal a "thriller." These days, it seems, authors don't feel any obligation to explain to the reader the inner workings of the character's motivations, nor of the reasoning behind any of the major plot turns of the novel. The killer makes off with a character in the book, why? Oh, he's a serial killer. That's all you need to know. Too bad about the connections to the main character, all you, the reader needs to know is that the noose is closing! Beware!

The same with the sexual connections, they're made without thought, without deeper meaning. They just are there. A contempt for the reader is inherent in this way of writing, and as a reader, you can believe I take it very personally. I don't want it all explained to me, but I don't want to have to overthink it either, author, especially when the main characters are unpleasant, and not really worth the thought. It's a singularly ungenerous, miserly, and yes, shameful way of constructing a novel, a cheap trick of a book. Don't bother, it's not worth your time.
I have read reviews on this book that go both ways. For the most part, people hate it, or they love it. Well, this is my opinion

Okay, this is a graphic book. This is also very good writing. Stumbled across this book at a friend's. Never heard of the movie; still have not seen it. Picked this novel up from a pile of romance novels and Johnathan Kellermans and summer beach books that she had lying about. Honestly, I love her, but her choices rarely interest me. But I read about two-thirds of the way through the summery on the dust jacket, closed it up, and decided then and there that I was going to read that unfamiliar book.

The narrator is a teacher working on a book for slang words, and I personally feel that the narrator was drafted very well. I feel that the plot was interwoven and strong and it did in fact keep me guessing, which anymore is a rare find in most authors that I'd not read before. In other words, it is a wonderful feeling to read a great author unexpectedly. And Moore certainly is just that.

Graphic sex scenes that reminded me of Kiss Me, Judas, but writing that is without a doubt originally and thoroughly hers alone. Not to say that I've never before read some of the story elements that she presents, but it is certainly an original write in a field that is constantly marred with ridicule for novels being copies of copies of copies. This book is far apart from most of the contemporaries that I have read, and I feel that it was a jewel of a find.

Not two weeks after I'd read it, I'd thought on it, on different parts, the parts that I enjoyed most for this personal reason or that as you have no idea why you think some thoughts at random, and I had to order my own copy. Still spend time with it. Came here tonight to order a copy for one of my sisters as a Christmas gift. Kind of just stumbled into the reviews. Thought it important to explain why I enjoyed it, and still enjoy it. If for just a few dozen lines of commentary.

And hey, just to throw this out there...

If you are a fan of Ellis' work, or pay any attention to his recommendations on books, consider this read. Bret Ellis said that it has one of the most surprising endings that he had ever read. And I imagine that he is an avid reader. Many of us know that he is a fan of Chuck Palahniuk's. Well, he is also a fan of hers. And her work gets slept on far too much; this book is highly underrated. That is why I am writing this review. Found it by chance, and found it to be a very, very enjoyable chance. Graphic, but enjoyable. I enjoyed it slightly more than David Benioff's The 25th Hour, just to give an honest comparison.

Kabol
An attempt at noir misfires. You don’t really care about any of the characters and the surprise ending is unremarkable.
I read this book prior to seeing the film, which was not a good representation of the novel. Frannie, the narrator and central character, comes across as a curious mix mysterious (Is it love she wants?), and yet looking for an erotic-romantic involvement. In the novel, she does get involved with a detective investigating a murder case who very well may turn out to be the murderer. She teaches English in NYC and is writing a work devoted to street slang. "In the Cut" refers to a warm place according to the author -- an "intimate" warm place. As the title suggests, it juxtaposes sexuality with violence and it works beautifully, written in exquisite prose with a sure hand. I intend to re-read it to look for more clues. Should you decide to read it, don't let anyone reveal the last 5 pages. I was unsettled for about a week.

Also, the novel is written in first person, heightening the shock of the climax. Not for the sensitive, "In the Cut" is worthy of the accolades it received. The movie, by the way, changes the ending. I'd like to know why. The screenwriters left out the gut-wrenching climax. I was surprised to find out that Ms. Moore, the author, co-wrote the screenplay and obviously decided on the revision. The ending of the novel makes you literally leap out of your seat.
Purchased this book on its reputation of being a sophisticated erotic adventure. I must admit I found it much more than that. Moore weaves a very nice structured story that delves into human emotion, realistic bad-cop behavior, smudges of academia, and yes a good dose of well-done sex. A shortish story, done in the first-person, present from a female perspective. Excellent writing. Clever development of conflict with the protag a word nerd with an uninhibited appreciation for screwing around with obvious danger.